This whole shit started out with "Bitch, bet I can! " If the world had name for me, I'd be Slumerican When the shit is sittin in front of your face You're window shoppin and can't see the gift I know you'd dig a hole six feet deep with a spoon I was swimmin in so much dope I had to break my life jacket out like When they said the rap game was in a drought
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The things loaded, I put that on my great grand daddy named Otis Got the bitch in the back room with a open mouth AH! Know you love to call it foul, say hip hop ain't in the south I believe in my wits, Enough to believe that my kidsĬhevy's on the wish list, no Santa clause, no m'am, won't pause To put a cease and a desist on this heat that I spit, shit, Bitch! You think I give a fuck about you pussies? Not at allĪw man, I'm standin on top of a muthafuckin hundred grandĪin't no reason to quit, what the fuck I look like? I'm standin on top of a muthafuckin hundred grand Lyrics provided by TANCODE " readonly=""/> ?With a pain that'll drain on to?, Bitch ya better remain tough (Mayne WHAT!) With the same team that I came up with (Mayne WHAT!) Shoes laced up with the mainstream face up, Throwin rocks out the window on 20, that's a milestone Under the heat like I been metal roofin, in a trenchcoat and a black hoodie I'm spring loaded with the salt of an old man,ĭrinkin a fifth and steerin with my knee in an old van likeĪ couple of loose screws ain't stoppin a train from movinĪ couple of bucks short of a ? and I'm still one hundred proofin While some of these bitch ass rappers will take a dick to say they had it hardĭon't make one of these slums come intercept youĮnter your dorm room and punk you, you internet goon Waking up to roaches in my cereal box, buddy, that's a bad start!
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On the album, he sounds free and energized, happy to be a pioneer among many now bridging the slimming gap between rap and country.And I do it with a casio and a farmers tanĪnd on top of a hundred grand, bet I stand After four albums over eight years with Shady, Yelawolf released Ghetto Cowboy in 2019 on his own label, Slumerican Records. Mathers are obvious, considering they’re both white rappers with dexterous flows and a penchant for the absurd, but Yelawolf used his country roots to inspire a now-widespread style of rap music. The mixtape earned him an early deal with Interscope Records, before he eventually landed a contract with Eminem’s Shady Records. His 2010 breakthrough tape, Trunk Muzik, showcased his rapid, double-time flow with a backwoods, country-style delivery. Immediately, though, Yelawolf proved himself to be a ferociously confident rapper with a knack for clever branding and sharp bars.
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Yelawolf’s introduction to hip-hop came early, from the Run-DMC tape he’d listen to while riding the bus to school from the Nashville projects each morning, but he found his way to the industry haphazardly, spending his young-adult days as a commercial fisherman and skateboarder before he ever touched a mic. Born Michael Atha in 1979 in Gadsden, Alabama, with a childhood spent bouncing around Georgia and Tennessee, he emerged in 2005 as a flamethrower of a rapper, following the tradition of Southern luminaries like Outkast and 8Ball & MJG-with a bit of Kid Rock thrown in for good measure. Long before Lil Nas X yeehaw'ed his way to the top of the charts, Yelawolf was spitting bars over twanging guitars and stomp-clap percussion sections.